TERMINATOR 2:
JUDGMENT DAY
a film by James Cameron
released through Tri-Star Pictures in 1991
For a movie that wraps itself in platitudes about the sanctity of
life, Terminator 2's insufferable writer-director James
Cameron sure makes some interesting choices. This is a very violent
movie, and not even in the conventional machine-gunning fashion.
No, here we have the villain, the quasi-robotic T-1000, stabbing
people in the head with its metallic 'finger': blood-drenched herky-jerk
convulsions abound.
Well, that's the
villain, after all; shouldn't we feel how wicked he is? If
so, why do we also need to witness little kids being barbecued by a
nuclear blast? That's o.k. because it's 'just a dream'? If life is
so precious, shouldn't the loss of life be handled more discreetly,
as Christopher Nolan manages to do without sparing the audience an
emotional pummeling? This paradox recalls movies like The End of
the Affair (1999), where the characters agonize over their
adultery while the audience is granted a front-row seat to that
sin's rollicksome couplings.
On the plus side, Brad
Fiedel's wonderful score takes advantage of a much bigger budget,
while still maintaining the eerie synths and metallic screechings
employed in The Terminator (1984). Also, the audience,
perhaps unfamiliar with the preceding film, is given ample
opportunity to catch up with the smart, natural-sounding dialog that
provides exposition without sacrificing character development,
particularly as young John Connor bonds with his protector. And the
action and effects are universally hailed. They hold up even today,
especially the icily limb-shorn T-1000.
For sheer spectacle
and superficially bravura entertainment, it's hard to top
Terminator 2.
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